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Women Set London’s Stages Ablaze

Women Set London’s Stages Ablaze

Lia Williams as a charismatic schoolteacher in the title role of “The Prime of Miss Jean Brodie,” directed by Polly Findlay at the Donmar Warehouse in London.

In Solo Shows, Lip-Syncing ‘Hamlet’ and Investigating Home Movies

In Solo Shows, Lip-Syncing ‘Hamlet’ and Investigating Home Movies

Dickie Beau in the eclectic “Re-Member Me,” which mixes drag, dance and Shakespeare.

At 90, Hal Prince Dishes on ‘Fiddler,’ ‘Cabaret’ and Reining In Ambition

At 90, Hal Prince Dishes on ‘Fiddler,’ ‘Cabaret’ and Reining In Ambition

Front row from left, Hal Prince, Jan Horvath, Andrew Lloyd Webber and Cameron Mackintosh celebrating Mr. Prince’s 90th birthday after a performance of “The Phantom of the Opera” earlier this month.

Review: Song Trumps Senility in the Angry ‘Allelujah!’

Review: Song Trumps Senility in the Angry ‘Allelujah!’

Residents of a geriatric hospital ward in a scene from “Allelujah!,” Alan Bennett’s new comedy at the Bridge Theater in London.

I Love Performing Those Songs. But What About the Gender Politics?

I Love Performing Those Songs. But What About the Gender Politics?

Melissa Errico, at right, is a neurotic woman who visits a hypnotherapist (Stephen Bogardus) in “On a Clear Day You Can See Forever.”

2018 Tony Nominations: ‘Mean Girls’ and ‘SpongeBob’ Lead the Way

2018 Tony Nominations: ‘Mean Girls’ and ‘SpongeBob’ Lead the Way

Gavin Lee, center, as Squidward Q. Tentacles in “SpongeBob SquarePants,” which garnered 12 Tony nods.

Glenda Jackson on Quitting Parliament, Playing Lear and Returning to Broadway

Glenda Jackson on Quitting Parliament, Playing Lear and Returning to Broadway

Glenda Jackson, taking a break from rehearsals for “Three Tall Women,” which will mark her return to Broadway after 30 years.

The Problem With Broadway Revivals: They Revive Gender Stereotypes, Too

The Problem With Broadway Revivals: They Revive Gender Stereotypes, Too

“Are these the shows I’m going to take my 12-year-old daughter to?” asked Georgia Stitt, a composer, lyricist and musician.

Women (and Men, Too) Pushed to the Edge at New Play Festival

Women (and Men, Too) Pushed to the Edge at New Play Festival

Amir Wachterman and Bjorn Dupaty in Mara Nelson-Greenberg’s comedy “Do You Feel Anger?”

Review: Dancing to Destruction in Enda Walsh’s Fierce ‘Disco Pigs’

Review: Dancing to Destruction in Enda Walsh’s Fierce ‘Disco Pigs’

Evanna Lynch, left, and Colin Campbell as 17-year-olds on the loose in Enda Walsh’s “Disco Pigs” at the Irish Repertory Theater.

Rip Van Winkle, Newly Awake, Meets His Neighbors Onstage

Rip Van Winkle, Newly Awake, Meets His Neighbors Onstage

Liam Craig as the title character, rehearsing for the Hudson Valley Shakespeare Festival adaptation of “Rip Van Winkle.”

How to Listen to Rock ’n’ Roll in a Theater

How to Listen to Rock ’n’ Roll in a Theater

Erik Jensen plays Lester Bangs in “How to Be a Rock Critic,” part of the Under the Radar festival at the Public Theater.

Review: A Wondrous ‘Pinocchio’ With That ‘Lion King’ Magic

Review: A Wondrous ‘Pinocchio’ With That ‘Lion King’ Magic

A scene from “Pinocchio,” written by Dennis Kelly and directed by John Tiffany.

‘Hamilton’ Leads a Record-Breaking Holiday Week on Broadway

‘Hamilton’ Leads a Record-Breaking Holiday Week on Broadway

“The Lifespan of a Fact,” starring, from left, Cherry Jones, Daniel Radcliffe and Bobby Cannavale, is one of the plays doing excellent business on Broadway this season.

Review: ‘Jagged Little Pill’ Breaks the Jukebox Musical Mold

Review: ‘Jagged Little Pill’ Breaks the Jukebox Musical Mold

Lauren Patten singing the showstopper “You Oughta Know” in “Jagged Little Pill,” a new musical based on Alanis Morissette’s songbook.

Another Harry Potter Landmark: At $68 Million, the Most Expensive Broadway Nonmusical Play Ever

Another Harry Potter Landmark: At $68 Million, the Most Expensive Broadway Nonmusical Play Ever

The Lyric Theater underwent major renovations for “Harry Potter and the Cursed Child,” including exterior additions that are symbolic to the play: a wing on the facade and a rooftop nest with a child huddled inside.


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